Edward Muir, Northwestern University

Koslofsky’s epic history of the night uncovers an upheaval: how stage lights changed theater, how Lutheran spiritualists entered the evening, how witch trackers battled Satan on his own nighttime turf, how prejudice reflected the assumed wrongdoing of darkness, and how streetlamps appeased urban communities. Perusers will track down shocks on each page.”


“Koslofsky plays skilfully with the resistances of light and murkiness, constantly, to uncover emotional changes in both the social and the emblematic universes of early present day Europeans. This is a delicate and throught-proviling concise review, of exceptionally extraordinary interest for all understudies of European culture, thought, and culture.”

Robin Briggs, University of Oxford

“Evening’s Empire is an amazing introduction to a since a long time ago dismissed component of early current history: Europe’s triumph of dimness and evening. Craig Koslofsky convincingly demonstrates that the change to innovation and the development of the open arena can’t be completely perceived without requiring the ‘colonization’ of night into account. An edifying review, all around.”

Carlos M. N. Eire, Yale University 밤의제국

“This is a huge perused, loaded with human stories and interesting contention. In the same way as other of the best history books it makes one delay for contemplated the past however about the present as well.”

BBC History Review

“… [a] reliably animating, aptly contended and richly composed book.”

Times Literary Supplement

“Koslofsky has mined rich and fluctuated sources – letters, journals, civil documents, workmanship, periodicals – from France, Britain, and particularly Germany, to deliver this connecting with and creative work. He has an intense authentic arrangement – which implies that he’s consistently delicate to the unfamiliarity of the past.”

Ben Schwarz, The Atlantic

“… a victory of nitty gritty, patient grant, unmistakably and eagerly imparted. It gives extensive nuance of surface to the fresco of the pre-modern evening so distinctively painted by Ekirch specifically. Thus, it ought to stay legitimate for quite a long time to come, affecting researchers of writing just as history.”


“This is a general book, and its contentions work best in expansive, suggestive strokes. A significant part of the unrest here reduces to discrete changes in tip top idea or design that then, at that point, assisted with reshaping more extensive culture. Koslofsky is to be complimented for focusing on the constraints, ambiguities, and once in a while inside and out polarities of such turns of events, even as he contends for their uncommon effect.”

Michael D. Bailey, Renaissance Quarterly

“… learned and creative … ”

Keith Thomas, Common Knowledge

“… this aspiring book is a momentous accomplishment, enlightening early current European history from a new and unique viewpoint … ”


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